| 000 -LEADER |
|---|
| fixed length control field |
04481nam a22003857a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
APU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20241025102151.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
241025t2021 -uka|||| |||| 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781786276346 (paperback) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
APU |
| Language of cataloging |
english |
| Transcribing agency |
APU |
| Modifying agency |
SY |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ND1488 .H67 2021 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hornung, David, |
| Relator term |
author. |
| 9 (RLIN) |
49591 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Colour : |
| Remainder of title |
a workshop for artists & designers / |
| Statement of responsibility, etc |
David Hornung |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
London : |
| Name of publisher, distributor, etc |
Laurence King Publishing Ltd, |
| Date of publication, distribution, etc |
2021. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
160 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
28 cm. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
First published in 2004, second edition published in 2012. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
Foreword / Jennifer Maloney<br/>Introduction<br/> |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
<br/>1. Seeing Color. <br/>The visible light spectrum ; <br/>How we perceive color ; <br/>Color on the computer screen ; <br/>The effect of light on color perception ; <br/>Color constancy |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
2. First Principles. <br/>The structure of color ; <br/>Hue ; <br/>Value ; <br/>Saturation ; <br/>Color range ; <br/>Color wheels ; <br/>Color on the computer screen |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
3. The Color Workshop. <br/>About the workshop ; <br/>Paint ; <br/>Color studies on the computer ; <br/>The illustrated glossary |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
4. Beginning Color Studies.<br/>Chromatic darks ;<br/>Video: Beginning color studies: Painting swatches ; <br/>Altering color attributes through intermixing ; <br/>Executing assignments on the computer ; <br/>Color on the screen and in print ; <br/>Handmade assignment 1 : exploring co-primaries ; <br/>Handmade assignment 2-5 : saturation studies ; <br/>Digital assignments 1-4 : saturation studies |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
5. Color Schemes and Color Proportion. <br/>Organizing color schemes ; <br/>Color proportion ; <br/>Handmade assignment 6 : four color schemes ;<br/>Digital assignment 5 : four color schemes ; <br/>Handmade assignment 7 : study in proportional variation ; <br/>Digital assignment 6 : study in proportional variation |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
6. Color Interaction. <br/>Afterimages ; <br/>Josef Albers ; <br/>Separating colors with line ; <br/>Handmade assignment 8 : color interaction studies ; <br/>Digital assignments 7 : color interaction studies ; <br/>Handmade assignment 9 : composition with color interaction ; <br/>Digital assignment 8 : composition with color interaction |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
7. Color Harmony. <br/>A musical analogy ; <br/>Two mixing strategies to produce unified color ; <br/>Video : color harmony : Unifying mixing strategies ; <br/>Handmade assignment 10 : intermixed dot inventory ; <br/>Handmade assignment 11 : intermixed dot inventory using three different primary triads ; <br/>Handmade assignment 12 : composition with an altered palette |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
8. Applying Color Principles. <br/>Tonal progression ; <br/>The illusion of color transparency ; <br/>Video : applying color principles : illusion of transparency ; <br/>Color and the illusion of spatial depth ; <br/>Handmade assignment 13 : tonal progression studies ; <br/>Digital assignments 9 : tonal progression studies ; <br/>Handmade assignment 14 : illusionistic transparency ; <br/>Digital assignments 10 : illusionistic transparency |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
9. Color Research. <br/>Sources of color ; <br/>Handmade assignment 15 : a proportional color inventory ; <br/>Video : color research : color inventories ; <br/>Digital assignments 11: a proportional color inventory ; <br/>Handmade assignment 16 : a nonproportional color inventory ; <br/>Digital assignments 12 : a nonproportional inventory |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
10. Color Experience and Interpretation. <br/>Color and meaning ; <br/>Describing color ; <br/>Handmade assignment 17 : a design in two moods ; <br/>Digital assignments 13 : a design in two moods |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
11. Free Studies. <br/>Making free studies ; <br/>Conclusion. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Taking a practical approach to color, Color: a workshop for artists and designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between color theory and practice to inspire confidence and understanding in anyone working with color. This third edition is updated with more contemporary examples drawn not just from painting, but from textiles, graphic design, illustration and animation. An expanded discussion of digital techniques, new assignments and a refreshed design have all been brought together to create a highly readable and relevant text"--Amazon.com |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Color Study and teaching |
| 9 (RLIN) |
49592 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Color in art |
| 9 (RLIN) |
49593 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Color in design |
| 9 (RLIN) |
12054 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Book |
