TY  - BOOK
AU  - Larkin,George
TI  - Post-production and the invisible revolution of filmmaking: from the silent era to synchronized sound 
T2  - Routledge advances in film studies
SN  - 9781138588332 (hbk.)
AV  - PN1995.9.P7 L33 2019
U1  - 777/.5509 23
PY  - 2019///
CY  - New York
PB  - London Routledge
KW  - Motion pictures
KW  - Production and direction
KW  - History
N1  - Includes bibliographical references and index; Introduction: post-production: an invisible art -- The invisible revolution: the art of post-production -- The post-production process of silent film -- A sense of sound in the "silent" era -- Transition to post-production: the rapid rise and fall of the Monitor Ma -- The art and science of film engineers -- Coverage and post-production -- Post-production: past, present, and future -- Coda: the perpetual revolution and evolution
N2  - "The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s' American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theatre, as occurred during the Silent Film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film's final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. This book studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period"--
ER  -