000 03940cam a2200349Ii 4500
999 _c381449
_d381449
001 979567822
003 APU
005 20180926065536.0
008 180809t20182018ne ah 001 0 eng d
020 _a9789089648921 (pbk.)
020 _a9089648925 (pbk.)
035 _a(OCoLC)979567822
040 _aBTCTA
_beng
_cBTCTA
_dWAN
050 4 _aPN1995
_b.C57 2018
082 0 4 _a791
245 0 0 _aChristian Metz and the codes of cinema :
_bfilm semiology and beyond /
_cedited by Margrit TrÖhler and Guido Kirsten
246 3 0 _aFilm semiology and beyond
260 _aAmsterdam :
_bAmsterdam University Press,
_c[2018]
300 _a484 p. :
_bill. ;
_c24 cm
490 1 _aFilm theory in media history.
504 _aIncludes bibliographical references and indexes
505 0 0 _g1.
_tChristian Metz and film semiology: dynamics within and on the edges of the 'model' - an introduction /
_rMargrit Tr©œhler --
_gPart I. Metz and the tradition of film theory.
_g2.
_tTwo ways of thinking /
_rRaymond Bellour --
_g3.
_tChristian Metz and his theoretical legacy /
_rMichel Marie --
_g4.
_tChristian Metz for today /
_rRoger Odin --
_g5.
_tThinking cinema: Christian Metz and/in the tradition of film theory /
_rFrank Kessler --
_g6.
_tBarthes' early film semiology and the legacy of filmology in Metz /
_rGuido Kirsten --
_gPart II. Questions of form and aesthetics.
_g7.
_tChristian Metz and aesthetics /
_rMartin Lefebvre --
_g8.
_tChristian Metz and modern cinema /
_rFrancesco Casetti --
_g9.
_tChristian Metz, editing, and forms of alternation /
_rAndr©♭ Gaudreault and Philippe Gauthier --
_gPart III. Specificities of the cinematic code and the imaginary.
_g10.
_tBetween classical and postclassical theory: Metz on specificity then and now /
_rPhilip Rosen --
_g11.
_tCyber-Metz?: the notion of code in the writings of Christian Metz /
_rSelim Krichane --
_g12.
_tYes, the image lies beyond analogy: understanding Metz with Cartier-Bresson /
_rMarc Vernet --
_g13.
_tThe cinematic signifier and the imaginary /
_rMary Ann Doane --
_g14.
_tFetishism and scepticism, or the two worlds of Christian Metz and Stanley Cavell /
_rD.N. Rodowick --
_gPart IV. Narration, enunciation, cinephilia.
_g15.
_tCinema: image or narrative? /
_rAnne Goliot-L©♭t©♭ --
_g16.
_tSemiotics, science, and cinephilia: Christian Metz's last book, L'©♭nonciation impersonnelle /
_rDana Polan --
_g17.
_t'"Theorize", he says...' - Christian Metz and the question of enunciation: a theory in (speech) acts /
_rAlain Boillat --
_g18.
_tPersonal enunciation: presences of absences /
_rDominique Bluher --
_g19.
_tMetz with Deleuze: from film-philosophy to film theory and back again /
_rNico Baumbach --
_gTwo interviews with Christian Metz.
_g20.
_tThirty years after /
_rElena Dagrada --
_g21.
_tThe semiology of cinema?: it is necessary to continue! - a conversation with Christian Metz /
_rElena Dagrada and Guglielmo Pescatore --
_g22.
_tFlashback to winter 1990 /
_rMargrit Tr©œhler --
_g23.
_t'I never expected semiology to thrill the masses' - interview with Christian Metz /
_rDominique Bl©ơher and Margrit Tr©œhler --
_gPostscript.
_gConclusion /
_rChristian Metz
520 8 _aA pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today
600 1 0 _aMetz, Christian.
_938660
650 0 _aFilm criticism
_938661
650 0 _aMotion pictures
_xPhilosophy
_938662
650 0 _aSemiotics
_938663
700 1 _aTrohler, Margrit.
_938664
700 1 _aKirsten, Guido.
_938665
830 0 _aFilm theory in media history
_938666
942 _2lcc
_cBook