000 | 03940cam a2200349Ii 4500 | ||
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_c381449 _d381449 |
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001 | 979567822 | ||
003 | APU | ||
005 | 20180926065536.0 | ||
008 | 180809t20182018ne ah 001 0 eng d | ||
020 | _a9789089648921 (pbk.) | ||
020 | _a9089648925 (pbk.) | ||
035 | _a(OCoLC)979567822 | ||
040 |
_aBTCTA _beng _cBTCTA _dWAN |
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050 | 4 |
_aPN1995 _b.C57 2018 |
|
082 | 0 | 4 | _a791 |
245 | 0 | 0 |
_aChristian Metz and the codes of cinema : _bfilm semiology and beyond / _cedited by Margrit TrÖhler and Guido Kirsten |
246 | 3 | 0 | _aFilm semiology and beyond |
260 |
_aAmsterdam : _bAmsterdam University Press, _c[2018] |
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300 |
_a484 p. : _bill. ; _c24 cm |
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490 | 1 | _aFilm theory in media history. | |
504 | _aIncludes bibliographical references and indexes | ||
505 | 0 | 0 |
_g1. _tChristian Metz and film semiology: dynamics within and on the edges of the 'model' - an introduction / _rMargrit Tr©œhler -- _gPart I. Metz and the tradition of film theory. _g2. _tTwo ways of thinking / _rRaymond Bellour -- _g3. _tChristian Metz and his theoretical legacy / _rMichel Marie -- _g4. _tChristian Metz for today / _rRoger Odin -- _g5. _tThinking cinema: Christian Metz and/in the tradition of film theory / _rFrank Kessler -- _g6. _tBarthes' early film semiology and the legacy of filmology in Metz / _rGuido Kirsten -- _gPart II. Questions of form and aesthetics. _g7. _tChristian Metz and aesthetics / _rMartin Lefebvre -- _g8. _tChristian Metz and modern cinema / _rFrancesco Casetti -- _g9. _tChristian Metz, editing, and forms of alternation / _rAndr©♭ Gaudreault and Philippe Gauthier -- _gPart III. Specificities of the cinematic code and the imaginary. _g10. _tBetween classical and postclassical theory: Metz on specificity then and now / _rPhilip Rosen -- _g11. _tCyber-Metz?: the notion of code in the writings of Christian Metz / _rSelim Krichane -- _g12. _tYes, the image lies beyond analogy: understanding Metz with Cartier-Bresson / _rMarc Vernet -- _g13. _tThe cinematic signifier and the imaginary / _rMary Ann Doane -- _g14. _tFetishism and scepticism, or the two worlds of Christian Metz and Stanley Cavell / _rD.N. Rodowick -- _gPart IV. Narration, enunciation, cinephilia. _g15. _tCinema: image or narrative? / _rAnne Goliot-L©♭t©♭ -- _g16. _tSemiotics, science, and cinephilia: Christian Metz's last book, L'©♭nonciation impersonnelle / _rDana Polan -- _g17. _t'"Theorize", he says...' - Christian Metz and the question of enunciation: a theory in (speech) acts / _rAlain Boillat -- _g18. _tPersonal enunciation: presences of absences / _rDominique Bluher -- _g19. _tMetz with Deleuze: from film-philosophy to film theory and back again / _rNico Baumbach -- _gTwo interviews with Christian Metz. _g20. _tThirty years after / _rElena Dagrada -- _g21. _tThe semiology of cinema?: it is necessary to continue! - a conversation with Christian Metz / _rElena Dagrada and Guglielmo Pescatore -- _g22. _tFlashback to winter 1990 / _rMargrit Tr©œhler -- _g23. _t'I never expected semiology to thrill the masses' - interview with Christian Metz / _rDominique Bl©ơher and Margrit Tr©œhler -- _gPostscript. _gConclusion / _rChristian Metz |
520 | 8 | _aA pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today | |
600 | 1 | 0 |
_aMetz, Christian. _938660 |
650 | 0 |
_aFilm criticism _938661 |
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650 | 0 |
_aMotion pictures _xPhilosophy _938662 |
|
650 | 0 |
_aSemiotics _938663 |
|
700 | 1 |
_aTrohler, Margrit. _938664 |
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700 | 1 |
_aKirsten, Guido. _938665 |
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830 | 0 |
_aFilm theory in media history _938666 |
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942 |
_2lcc _cBook |