000 | 01528cam a2200289 i 4500 | ||
---|---|---|---|
999 |
_c381539 _d381539 |
||
001 | 19035603 | ||
003 | APU | ||
005 | 20180819034347.0 | ||
008 | 180818s2016 nyu b 000 0 eng | ||
010 | _a 2016009089 | ||
020 | _a9781433134081 (hbk.) | ||
040 |
_aDLC _beng _cDLC _dWAN |
||
042 | _apcc | ||
050 | 0 | 0 |
_aPN1995 _b.B66 2016 |
082 | 0 | 0 |
_a791.4301 _223 |
100 | 1 |
_aBooks, Julie N. _939061 |
|
245 | 1 | 0 |
_aWhat is film? / _cJulie N. Books. |
260 |
_aNew York : _bPeter Lang, _c[2016] |
||
300 |
_aviii, 160 p. ; _c23 cm. |
||
490 | 0 |
_aAmerican university studies. V, Philosophy, _x0739-6392 ; _vVol. 224 |
|
504 | _aIncludes bibliographical references (pages 155-160). | ||
505 | 0 | _aIntroduction -- 1. Transparency -- Introduction -- Photographs and transparency -- Films and transparency -- Criticisms of transparency --2. Illusionism -- Introduction -- Currie's arguments against cognitive illusionism -- Arguments against cognitive illusionism -- Currie's arguments against perceptual illusionism -- Evaluating perceptual illusionism -- 3. Perceptual realism -- Introduction -- Currie's account of perceptual realism -- Problems with resemblance theories -- 4. Summary -- 5. A new theory of the ontology of film -- Introduction -- Films as creative works of art -- Conclusion. | |
650 | 0 |
_aMotion pictures _xPhilosophy. _939062 |
|
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2lcc _cBook |